Escapee
(Anchor Bay)
Campion Murphy’s dull serial
killer thriller begins auspiciously: a group of students visits a prison and an
inmate makes advances to the most attractive female among them. After that, what
should be the meat and potatoes is instead mostly gristle as a murderer
outsmarts a bunch of not very smart people. A half-hearted attempt at psychology
is risible, and even the bloodlettings are a letdown for those who want that
sort of thing. The Blu-ray image is stellar; lone extra is a making-of
featurette.
(Vinegar Syndrome)
This mid-‘70s cinematic artifact ineptly
attempts being sexy and scary as a diabolical killer offs a Manhattan massage
parlor’s nubile masseurs. What’s watchable is a time-capsule glimpse at New
York City: the streets, grime, crime, people, vintage vehicles are fascinating
by themselves. The disc contains an original cut and re-release cut, which
junks a deadpan opening massage; there are also seven minutes of outtakes. The
movie’s graininess remains on Blu-ray, which helps with its frozen-in-amber “look.”
(Shout Factory)
The best thing about this mundane
animated adventure is its setting: taking place in 1910 Paris, Bibo Bergeron’s
movie has a chase scene on the Eiffel Tower and a shootout on the uncompleted
Sacre Coeur church. Too bad the dazzling animation is at the service of a nondescript
tale complete with bad guys and a misunderstood creature who ends up a hero.
The voice talent (Danny Huston, Vanessa Paradis, Bob Balaban, even Sean Lennon)
is capable; the Blu-ray transfer looks terrific in both 3-D and 2-D.
(Criterion)
Laurence Olivier’s magnificent
adaptation of Shakespeare’s early tragedy is not only a cinematic marvel but also
contains one of Olivier’s most flamboyant but unhammy performances—Richard is a
showboat, which Olivier plays to the hilt. But Olivier the director smartly
allows his supporting cast breathing room, and Claire Bloom, Ralph Richardson,
John Gielgud and Cedric Hardwicke respond superbly. The boisterous colors of this
1955 Vistavision production are captured immaculately in the Criterion
Collection’s transfer; extras comprise a commentary, restoration demo,
12-minute trailer with on-set footage and an Olivier interview from a 1966 BBC
series Great Acting.
(Disneynature)
If you ignore corny narration
spoken by Meryl Streep—who must have been gagging during recording—the latest exquisite-looking
Disney nature doc shows how the world of plants interconnects with all of
earth’s life. The amazing HD photography—which catches the minutest movements
and variations among the flowers and insects in a nature dance that’s been
going on for billions of years—is the reason to watch, even if the soundtrack
(along with Meryl’s silly speech, there are lame songs of uplift) is less than sound.
The Blu-ray image is unsurprisingly perfect-looking.
Childrens Hospital—The Complete
Season 4
(Warner Archive)
Rob Corddry’s whacked-out satire
is undoubtedly the best 10-minute show on TV each week, and this disc brings
together 14 hilarious episodes from the series’ fourth season. Along with
wickedly imaginative writing, the cast is a comic dream, a group of actors—Malin
Akerman, Erinn Hayes, Megan Mullally and even the Fonz himself, Henry Winkler—that’s
exactly what Corddry (who’s insanely funny as a clown doctor who believes in the
healing power of laughter) and his show needs.
(Criterion)
Masaki Kobayashi is a Japanese
master known for a trio of masterworks: the three-part The Human Condition (1959-61);
1962 samurai epic Hara-kiri; and 1964
eerie ghost tetralogy Kwaidan. This
set comprises four films by a director unafraid to tackle pressing, even
controversial social issues. The Thick-Walled
Room (WWII war criminals), I Will Buy
You (baseball corruption), Black
River (American postwar occupation)—all released in 1956—and 1962’s The Inheritance (amoral affluence) are
further proof of Kobayashi’s exceptional prescience and formidable cinematic
style. Now if Criterion releases his later films—Hymn to a Tired Man, Fossil, Tokyo Trials—I’d be forever grateful.
The Last Flight of Petr Ginz
(First Run)
These documentaries introduce two
individuals—a stellar musician and teenage artist—whom history has forgotten
about. Erroll Garner is a tangy
portrait of an unsung jazz great whom director Atticus Brady chronicles as an
important, overlooked purveyor of uniquely American music. And directors Sandy
Dickson and Churchill Roberts’ Petr Ginz
stunningly demonstrates that a talented 16-year-old was on his way to a greatness
that was tragically cut short by the Nazis.
(Kino Lorber)
For his playful but innocuous
comic drama, Korean director Hong Sang-soo casts French actress Isabelle
Huppert in a lazy trio of segments in which she plays three different women named
Anne whose interaction with lovers, strangers and jealous wives have slight
variations depending on the context. What could have been a charming bon-bon about relationship confusion
ends up so light and airy that it literally disappears while one is still
watching it, despite Huppert’s best efforts..
(Athena)
Shakespeare scholar James
Shapiro—author of two level-headed books about the Bard, 1599 and Contesting Will—is
our tour guide through the last decade of Shakespeare’s creative life, when his
plays mirrored the political situation in Britain after Elizabeth’s death and James’s
ascension to the throne. At first it’s jarring when Shapiro walks around
contemporary London while discussing the Jacobean era (when other playwrights were
also flourishing), but Shakespeare’s for-all-time brilliance comes through. The
lone extra is a 1983 BBC performance of Macbeth
with Nicol Williamson.
(Time Life)
In this thorough 26-part series
about the Vietnam War, journalist Peter Arnett created an incisive examination
of America’s most pointless war, with archival footage and interviews with many
participants, both famous (American and Vietnamese officials) and not (ordinary
soldiers). It first aired in 1981, so its mention of the Gulf of Tonkin
incident, to give one example, lacks the truth which was discovered afterward,
but overall, the show’s 11-plus hours that run from France’s initial
involvement through the final fall of Saigon can still be considered a
definitive history.
CD of the Week
CD of the Week
Dutilleux—Correspondances
(Deutsche Grammophon)
Now age 97, Frenchman Henri Dutilleux has a claim on the "world's greatest living composer" mantle, and the three works on this recording—including one world premiere—back up that assertion. The enigmatic 1970 cello concerto, "Tout un monde lointain..." (played with authority by Anssi Karttunen) and the 1997 The Shadows of Time (a magical work with three angelic boys' voices) are two of the anything but prolific composer's masterpieces. But the centerpiece is Correspondances, a remarkably muscular vocal piece from 2003, sung by the exquisite soprano Barbara Hannigan. Leading the Radio France Philharmonic Orchestra is conductor Esa-Pekka Salonen, one of Dutilleux's great champions.
Now age 97, Frenchman Henri Dutilleux has a claim on the "world's greatest living composer" mantle, and the three works on this recording—including one world premiere—back up that assertion. The enigmatic 1970 cello concerto, "Tout un monde lointain..." (played with authority by Anssi Karttunen) and the 1997 The Shadows of Time (a magical work with three angelic boys' voices) are two of the anything but prolific composer's masterpieces. But the centerpiece is Correspondances, a remarkably muscular vocal piece from 2003, sung by the exquisite soprano Barbara Hannigan. Leading the Radio France Philharmonic Orchestra is conductor Esa-Pekka Salonen, one of Dutilleux's great champions.
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