Broken City
(Fox)
If Sidney Lumet had made this New
York City cop thriller, it would have been complexly entertaining—Allen Hughes’
not-bad movie pretty much hits familiar buttons without giving reasons to care about
(or loathe) its characters’ one-upping one another. Mark Wahlberg again plays a
lone wolf against the world, while hammy Russell Crowe is the crooked mayor: there
must have been a clause in his contract to keep the stultifying debate sequence
intact, because it kills the movie. The Blu-ray image looks good; extras are making-of
featurettes, deleted scenes, alternate ending.
(Anchor Bay)
In this accumulation of absurdities
masquerading as a black comedy, Tobey Maguire plays a seemingly happily married
doctor who finds himself embroiled in adultery, blackmail and murder. Director
Jacob Aaron Estes flails around but never finds the right tone: his desperation
is most obvious in gifted Laura Linney’s rare misfire of a performance, ratcheted
up way too high to be interesting. A few deadpan bits work, and the always appealing
Elizabeth Banks and Kerry Washington partially compensate. The Blu-ray image is
fine; extras are an alternate opening and ending.
(PBS)
This NOVA special, an astonishing
visualization of our planet from outer space, looks closely at how natural
forces work on a regular basis. Earth-orbiting satellites provide data and
photos that are transformed into dazzling hi-def imagery bringing us closer
than ever to seeing, for example, the formation of a powerful hurricane. The
Blu-ray image is, of course, spectacular: it’s a no-brainer to watch this on as
large a screen as you can.
(Warners)
The first two seasons of the mega-sitcom
are finally out, separately from the complete boxed set. But who wants to watch
their favorites—Jennifer Aniston, Courtenay Cox, Lisa Kudrow and a trio of
forgettable guys—fiddled with to fill out everyone’s widescreen TVs, instead of
as they were originally shown on mid-90s standard TVs? The series looks decent
in hi-def, despite the stretching and chopping at the top and bottom; extras
include a commentary, featurettes and alternate episodes.
(Indican)
In his final screen appearance
before his death last year, Ernest Borgnine goes out fighting as an ornery grandfather
trying to improve the rest home he’s in, all the while driving his wife, daughter
and granddaughter crazy. The flimsy concept makes for lukewarm drama, but
Borgnine’s genuine likeability and the help of several actresses—led by Carla
Ortiz as a caring nurse—make for a fond sendoff to a beloved Oscar winner. The
Blu-ray image is OK; extras are director commentary and behind the scenes
footage.
(Warners)
This 2004 tearjerker beloved by teenage
girls everywhere—I wonder if they feel the same way a decade later—stars Rachel
McAdams and Ryan Gosling as ill-fated lovers. The watchability of this sappy adaptation
of Nicholas Sparks’ mega-seller stems from its cast, especially McAdams, whose easy
charm and girl-next-door looks should have made her a big star immediately. The
Blu-ray image looks immaculate; the special edition includes a collectible locket
(ooh!), set of postcards and vintage journal.
Ethel
(Warner Archive)
Rory Kennedy—youngest of 11
Kennedy kids—made this intriguing documentary about her mother Ethel, whose
husband Bobby was murdered in 1968 while on his way to (probably) becoming
president. The movie strongly evokes a time when the Kennedys ran the machine
to end all political machines, and comments from her siblings and Ethel
herself—initially reticent to discuss some things but otherwise
forthcoming—make this a valuable historical document. The lone extra is a
conversation with Rory.
(Acorn)
A funny and smart Brit-com that ran
from 1980 to 1983, A Fine Romance
pairs real-life partners Judi Dench and Michael Williams as an initially
reluctant couple who eventually—if hesitantly—find love and happiness among the
potholes of their relationship. The
Scarlet Pimpernel, Richard Donner’s sumptuous 1982 TV adaptation of the
classic French Revolution tale, features a stunning-looking Jane Seymour, handsome
Anthony Andrews and mischievous Ian McKellen in the lead roles.
(Oscilloscope)
In this welcome double bill,
Jason Tippet and Elizabeth Mims’ Only the
Young follows a girl and two boys who bond together in a small California
tow, while Bill and Turner Ross’s Tchoupitoulas
follows an adolescent trio around New Orleans one night. These documentaries
put American teenagers front and center with no condescension. Only extras include commentary, outtakes
and the short Thompson, while Tchoupitoulas extras include outtakes
and behind the scenes video.
(First Run)
First Run continues its
first-rate documentary run with these intelligent studies of towering cultural personalities
and their legacies. Jeffrey Schwartz’s sympathetic Vito is an honest look at gay rights activist Vito Russo, whose came
to prominence in the age of AIDS—which killed him in 1990. In Wagner and Me, British actor Stephen Fry
wittily deals with his own infatuation with Richard Wagner, a notorious
anti-Semite, by asking the still-pertinent question: is Wagner’s music
responsible for the jingoistic Nazi interpretation of it? Vito extras are interviews, commentary and excerpts from his Our Time TV program.
(Sundance Selects)
In his sequel to Tarnation, Jonathan Caouette continues to
explore his family’s mental illness, focusing on his troubled mother Renee,
who’s been in and out of facilities for years. Alternating between his mom’s
history with his own attempts to place her in a facility closer to his NYC home,
this blunt movie never develops a true rapport between audience and the
protagonists, unfortunately keeping our involvement on the surface.
(Sundance Selects)
This explicit study of sexually
precocious 17-year-old Daniela from a Chilean Catholic family never seems
exploitative due to the amazingly authentic Alicia Rodriguez, who beautifully
conveys the maturity and immaturity of a girl on the cusp of womanhood. She never
loses our sympathy despite reckless behavior, and director Marialy Rivas and
writer Camila Gutierrez (whose teenage blog was the film’s basis) smartly allow
Rodriguez’s emotionally and physically naked presence to dominate from the
start.
Stravinsky—The Rite of Spring 100th
Anniversary
(Decca)
When The Rite of Spring premiered in 1913, the reaction from the
audience was violent and visceral—like the pummeling ballet itself, whose influence
remains enormous. This set collects six variously impressive recordings, from Pierre
Monteux (1956) to Esa-Pekka Salonen (2006), which give a good impression of how
conductors and orchestras attack such a canonical work. Also included is a
bonus CD with an hour-long audio documentary by Jon Tolansky, who presents Rite in its historical and musical
context.
(Hyperion)
Turn of 20th century
British composer York Bowen—who has gotten short shrift due to contemporaries
like Elgar, Vaughan Williams and Bridge, among others—wrote conventional but accomplished
music like his highly attractive pieces for piano and violin, played here with authority
and precision by pianist Danny Driver (who has recorded other Bowen works for
Hyperion) and violinist Chloe Hanslip. Bowen’s two violin sonatas are weighty
without becoming ponderous; the other, mainly small-scale, works are skillfully
wrought and delectable.
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