Blu-rays of the Week
Barrymore
(Image)
Finally here’s a filmed record of
Christopher Plummer’s enchantingly witty interpretation of another great actor,
John Barrymore, in William Luce’s one-man (but two-voice) play—for which
Plummer won the 1997 Best Actor Tony Award. Director Erik Canuel keeps the
focus tightly on Plummer, whose juicily idiosyncratic performance is a glorious
capper on an unrivaled career. The Blu-ray image is excellent; Backstage with Barrymore, an hour-long
making-of documentary, is the lone extra.
(Echo Bridge)
Stephen Frears’ wickedly black 1990
comedy, with a superb script by Donald Westlake from Jim Thompson’s novel,
follows a trio of con artists pitted against one another. The dream cast
comprises Angelica Huston and John Cusack as estranged mother and son and Annette
Bening, hilarious and erotic as a sexpot who shed allegiances more quickly than
her clothes. Too bad that Bening’s marriage to Warren Beatty derailed her
career for awhile. The Blu-ray image, as on all Echo Bridge releases, is
underwhelming; extras are Frears’ commentary and on-set interviews.
(Echo Bridge)
Lasse Hallstrom will never return
to the sublime heights of his 1985 masterpiece My Life as a Dog; but of his American films, this 2007 comic drama
comes closest with its tongue-in-cheek look at Clifford Irving’s Howard Hughes forgeries,
with little of the sentimentality that marred even The Cider House Rules. Richard Gere gives a rare unbridled
performance as Irving, and the supporting cast—Hope Davis, Marcia Gay Harden,
Alfred Molina—is equally good. The movie looks decent on hi-def; extras comprise
Hallstrom’s commentary, deleted scenes, making-of footage.
(New Video)
The new animated feature by the
creator of the uneven biopic Gainsbourg
shows off director Joann Safr’s visual ideas at their most playful and pure.
The earlier film’s best bits were surreal puppetry; this story of a feline who
begins to talk after eating a parrot has visuals that are the equivalent of the
irreverent cat’s profane but philosophical musings, which shock everyone with
their religious and moral provocations. The Blu-ray’s bright colors look exquisite;
extras are a making-of and featurette on Safr.
(Fox)
After My Life as a Dog, Lasse Hallstrom left Sweden for crass work in Hollywood,
where he’s become a go-to director for potboilers and melodramas (with the odd
witty entry like The Hoax, above),
and this silly Nicholas Sparks adaptation is yet another. Julianne Hough, not a
serious—or even semi-serious—actress, provides a credibility hit, but Josh
Duhamel’s presence is more on the romantic mark. The Blu-ray image looks good
enough; extras include alternate ending, deleted scenes and featurettes.
(Music Box)
Sean Baker’s well-meaning but
amateurish character study about an unlikely bond between a young porn actress
and an elderly lady remains trite, despite Baker’s obvious empathy for his characters.
His heart is certainly in the right place, but a game cast (led by Dree
Hemingway, Mariel’s daughter, and Besedka Johnson in the leads) can’t make this
flat-footed drama any more affecting. Stella Maeve makes an indelible
impression as a drugged-out porn failure. The Blu-ray image, while soft, looks pretty
good; extras include Baker’s commentary, featurettes, behind the scenes footage
and interviews.
(New Video)
Actor-turned-director Shane
Carruth has been watching too much Kubrick and Malick, if this second feature,
a willfully obscure—but exceedingly preposterous and quite quickly ponderous—sci-fi
feature is any indication. In his familiar-looking drab world where the heroine
is implanted with a worm that places her under another’s control, Carruth
confuses portentousness with pretentiousness. This melancholy romance and
lament for our alienated society is too simplistic, and Carruth relies on other,
better directors’ movies to make his not so original points. The Blu-ray looks
immaculate.
(Athena)
The history of the American
musical, with a few exceptions, overflows with the talents of Jewish lyricists
and composers, which this 90-minute documentary sketches intelligently and
entertainingly. Moving from the Gershwins to Jerry Herman, Jule Styne and
Stephen Sondheim, Broadway Musicals (narrated
by Joel Grey) is crammed with interviews, old and new, with many luminaries,
and generous clips from shows like Cabaret
and Fiddler on the Roof. This trip down
memory lane doesn’t skimp on the historical and cultural significance of these
creators. An extra disc has more interviews and musical selections.
(BBC)
In anticipation of the new Gatsby movie (rather ludicrously shot in
3D), this 2000 documentary about F. Scott Fitzgerald’s most famous novel gets re-released.
Narrated by Tara Fitzgerald and including interviews with biographers and
literary experts, the 47-minute doc abridges the novel's genesis, a video equivalent
of Cliffs Notes about Fitzgerald’s classic work. An extra is a BBC version of
the play Private Affairs: A Dream of
Living, about Fitzgerald, wife Zelda and Ernest Hemingway, with David
Hemmings.
(Mill Creek)
These DVD sets illuminate a great
19th century martyr and the most evil 20th century dictator.
The Reich set comprises 10 Charlton
Heston-narrated documentaries, the most interesting being Hitler’s Last Days. The 10-disc Lincoln
Chronicles is dominated by Sandberg’s
Lincoln, a five-hour 1974 mini-series with a forceful Hal Holbrook in a far
subtler and wide-ranging portrayal of Honest Abe than Daniel Day Lewis in Spielberg’s
biopic. Beware: the order of Sandberg’s Lincoln
episodes is jumbled. D.W. Griffith’s epic 1930 feature, Abraham Lincoln, is also included.
The final season of the current
hit medical drama Private Practice—starring
Kate Walsh and Benjamin Bratt—is wrapped up on a three-disc set that includes all
13 episodes and extras like deleted scenes and bloopers. The often cringingly unfunny
The Roman Holidays—a Flintstones/Jetsons rip-off that’s set in
ancient Rome—is on a two-DVD set that contains all 13 episodes of its first (and
only) season, which was in 1972.
(Sony)
Robert Harling’s humane if occasionally
sappy play—which I saw in its first-rate off-Broadway incarnation in 1989—first
became a saccharine movie with Julia Roberts. The new version, which features an
all-black cast (Queen Latifah, Phylicia Rashad, Alfre Woodard), is played more
for laughs like the play was—but without the original’s perfect balance—but it
provides the requisite tears of a movie on the Lifetime network.
Art Nouveau
(Aparte)
Romanian soprano Teodora
Gheorghiu and pianist Jonathan Aner pair up for this sparkling recital of songs
from the early 20th century, when expressionism, modernism and
romanticism coalesced. Two ravishing Richard Strauss cycles—including the Ophelia Lieder—and a charming Alexander
Zemlinsky set give way to several elegant melodies
by Maurice Ravel, followed by Ottorino Respighi’s lovely Deita Silvane, as Gheorghiu moves easily from German to French to
Italian.
(Decca)
It must be nice to call five
friends who are world-class musicians to play sublime music: but that’s what
violinist Janine Jansen did for this exceptional disc of chamber masterpieces from
the beginning and end of the 19th century. Arnold Schoenberg’s Transfigured Night, which started clearing
the path to modernity in 1899, is played with pungency and refinement, while
Schubert’s String Quintet—a towering work written just before the 31-year-old Schubert
died in 1828—is given has the essential balance of weight and melancholy, particularly that draining marathon first movement.
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