Emperor’s New Groove/Kronk’s New
Groove
and Lilo & Stitch/Lilo &
Stitch 2 (Disney)
This quartet of inessential
Disney flicks makes a belated hi-def debut. With songs by Sting, Emperor is amusing, but its sequel Kronk isn’t; Lilo, while also clever, lacks the emotional heft of Disney’s
classics, while its sequel is nothing to write about home about. None of the
extras from the original DVD releases are included: it’s a shame that Disney won’t
release The Sweatbox, Trudie (Mrs.
Sting) Styler’s warts-and-all look at the contentious making of Emperor. The movies look impressive on
Blu-ray.
(Anchor Bay)
That animation creators are
running out of ideas for features is underlined by this derivative flick about
aliens stranded on our planet and—you guessed it—must find a way off. Even with
the voice talent involved—Brandon Fraser, Jessica Alba, Sofia Vergara and the always
hilarious Rob Corddry—this only rises to the level of those mediocre Disney
flicks from 10-12 years ago (see Emperor
and Lilo, above). The Blu-ray image
is excellent; extras include featurettes, interviews and deleted scenes.
(Oscilloscope)
A cutesy premise—at four couples’
regular brunch, first a relationship then the world starts to end—isn’t
sustained by Todd Berger’s clunky, clumsy apocalypse comedy. The game performers
include the usually insufferable David Cross—who’s okay here—it’s great to see
the delectable Erinn Hayes do something else besides Children’s Hospital. The most memorable part of the movie is its
poster: a person in a survival suit and gas mask toasts us with a mimosa. The
hi-def image is good; extras include a commentary, behind the scenes
featurette, Comic Con panel and viral videos.
(Warner Bros.)
Zach Snyder’s far from effortless
diversion essentially remakes a favorite childhood fairy tale to make it “cool”
for today’s kids (are there any adults left?). Despite Snyder straining to make
this beguilingly light, his solid cast (Nicholas Haoult as Jack, Eleanor
Tomlinson as the princess, and Bill Nighy, Ian MacShane and Ewan MacGregor)
does its best to sell it, despite being bogged down by CGI so that the fakery
is evident. Still, it’s decent fun. The Blu-ray image looks superb; extras
include deleted scenes and a gag reel.
(Fox)
Based on the bestseller
co-authored by Bill O’Reilly, this bizarre hybrid of documentary and docudrama
is graced with the presence of Tom Hanks, who earnestly narrates and sits and
speaks into the camera very uneasily. I guess the thought was that, if Hanks is
involved, this will be taken seriously, despite wooden acting and a script that
turns an American tragedy into an American melodrama. The Blu-ray image looks
fine; extras include a commentary, O’Reilly interview and featurettes.
(Disney)
Sam Raimi isn’t the director I
would have thought of to turn this Wizard
of Oz prequel into an audience-pleaser, and throughout this excessive, bombastic,
brightly-colored fantasy—smeared with Danny Elfman’s relentless music—I was
reminded of Tim Burton’s goopiest fantasies. Overall, and especially when the
delightful Mila Kunis is onscreen, it works; but as Oz, James Franco grates rather
quickly. The Blu-ray looks terrific; extras include featurettes and a gag reel.
(Cohen Media)
In this suitably frothy 1933
comedy, director Cyril Gardner (with an assist from then-neophyte Michael
Powell) puts his top-notch cast, led by Laurence Olivier and Gloria Swanson as
two lovers who try and keep their relationship “pure” by not getting married,
through its sterling comic paces. The Blu-ray image looks pretty good despite the
inevitable blemishes thanks to its source material; extras are two early ‘30s
shorts.
A Guy Named Joe and
The Merry Widow
(Warner Archive)
Most people
know 1943’s A Guy Named Joe as the source
of Steven Spielberg’s Always, but Joe—also a tear-jerker—is nowhere near
as sentimental, thanks to the hilarious but believable interplay between
Spencer Tracy and Irene Dunne as our couple, boosting Victor Fleming’s charming
romance to classic status. Ernest Lubitsch’s 1934 version of Franz Lehar’s beloved
operetta The Merry Widow, which stars
Norma Shearer and Maurice Chevalier as the unlikely couple, is lively fun, with
music that is glorious.
(Sony)
With such a pedigree—a 13-episode
Netflix premiere series starring Kevin Spacey and Robin Wright and co-created
and (at least a few episodes) directed by David Fincher—you’d think this
political drama would live up to expectations. It does—to a point. While Spacey
and Wright are exceptional as an entrenched Congressman and his lobbyist wife,
there’s a gaping hole by the dull Rooney Mara as the supposedly sexy, shrewd
ladder-climbing reporter who becomes Spacey’s confidante/mistress.
The Politician’s Wife
(Acorn)
Juliet Stevenson’s magnificent
presence as a loyal political wife whose world shatters when her husband’s
infidelities come to light dominates this compelling 1995 British TV
mini-series. It’s fascinating to watch her go from supremely wounded to
stealthily gaining the upper hand in a shifting relationship with her government
minister spouse. A first-rate supporting cast (including Trevor Eve as her
slickly, slimily adulterous hubby) and a vast knowledge of insiders’ politics
make this three-hour drama whiz by.
(Strand Releasing)
These foreign films treat
swinging couples with equal seriousness and frivolity. Argentine Diego Kaplan’s
2+2 builds a credible rapport between
couples which are long-time friends, before the inevitable disagreements ensue
when they start swapping spouses. Julieta Díaz is a particular delight as a
weatherwoman who becomes sexually adventurous with her best friends’ husband. Czech
director Jan Hrebejk’s 4some is more
somber in its approach—kind of like French director Antony Cordier’s Four Lovers, which got a DVD release last
year—but also finds time for humor in its treatment of couples pairing off.
(Acorn)
This cheeky, chatty mystery
series returns with Toby Stephens as a ladies-man detective who is paired with
a new partner—an attractive female, of course—for another round of murder
cases. Miranda Raison, as Stephens’ sidekick, has comic and sexual chemistry
with her co-star, so even when the cases they solve become routine, the way the
leads play off each other provide for a most entertaining divertissement.
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