All Is Bright
(Anchor Bay)
Phil Morrison’s offbeat
holiday-themed comedy aspires to a Bill Forsyth feel in its story of two Montreal
low-lifes who drive to Brooklyn to sell Christmas trees: one is getting
divorced from the woman the other is planning to marry, which of course causes endless
complications. The mood isn’t sustained—only Forsyth can do despair and joy
simultaneously in classics like Local
Hero and Housekeeping—but with perfectly
matched actors like Paul Giamatti and Paul Rudd, Morrison and writer Melissa
James Gibson have made an endearingly adult comedy. The Blu-ray image looks
great.
(Sundance Selects)
In this unbearably trite comedy,
several self-absorbed characters—two young Americans and a trio of local
brothers—travel around Chile in search of the ultimate hallucinogen. Although
well-acted (especially by Gaby Hoffman as a clichéd free spirit), none of these
characters is in the least interesting, while also remaining off-putting; the
movie—directed by Sebastian Silva, brother of the clan playing the brothers—falls
into a rut it can’t get out of. The hi-def transfer is solid; a making-of
featurette is the lone extra.
(Eagle Rock)
Ageless blues-rocker George
Thorogood took the stage with The Destroyers for 90 minutes of a pure, unadulterated
rock’n’blues this past summer in Montreux, Switzerland. Thorogood and his boys have
a good boogie-woogie vibe on such classic barroom tunes as “Move It On Over,”
“Bad to the Bone,” and his best alcohol-fueled shot, “One Bourbon, One Scotch,
One Beer.” The hi-def image and sound are first-rate; lone extra is a Thorogood
interview.
Hannah Arendt
(Zeitgeist)
Director Margarethe von Trotta
and actress Barbara Sukowa team to dramatize the formidable Jewish-German
theorist-philosopher whose description of Nazi Adolf Eichmann as the “banality
of evil” at his 1961 trial outraged many as defending the indefensible. Von
Trotta shows Arendt at the trial and afterwards in New York intellectual
circles. This is Sukowa’s show: her Hannah is a shrewd combination of intensity
and warmth, who hasn’t been scrubbed clean, but is allowed to speak for
herself: the spellbinding sequence where she defends her work against those
calling her a self-hating Jew for what she called Eichmann is where a sympathetic
director and actress create an indelible portrait of a 20th century giant. The
Blu-ray image is first-rate; extras comprise a making-of featurette, deleted
scenes and—on the DVD only—a discussion with von Trotta, Sukowa, actress Janet
McTeer and co-writer Pamela Katz.
(Fox)
A middling thriller that shows
off its leading man’s physique more often than even his biggest fans would
want, Paranoia features Liam
Hemsworth, whose acting is as flat as his abs are chiseled. Although Gary Oldman
and Harrison Ford sleepwalk through the movie as rival masters of the universe,
Amber Heard and Embeth Davidtz’s persuasive performances help it all glide by
mindlessly but painlessly to an obvious conclusion. The Blu-ray image is good;
extras are deleted scenes and featurettes.
(LionsGate)
This sequel to the action flick
about middle-aged secret agents is entertaining enough, although it’s like the Smokey and the Bandit movies where it
seems the actors are having more fun goofing off on-set than the audience does
watching the movie. Still, it has enough explosive artillery to satisfy genre
fans, and tongue-in-cheek performances by Mary Louise Parker, Helen Mirren,
Anthony Hopkins and Bruce Willis keep this overlong parody on track. The hi-def
transfer looks excellent; extras include a gag reel, deleted scenes and a
making-of documentary.
(Cohen Media)
Vivien Leigh became famous in
1939 with her Oscar-winning Scarlett O’Hara in Gone with the Wind, but the beautiful and talented stage actress
had been making films in her native England for years: this 1937-8 quartet provides
a peek into her onscreen versatility. Fire
Over England is watchable historical fluff, while the other films—Dark Journey, Storm in a Teacup and St. Martin’s Lane—are sentimental romantic
fodder with little going for them except Leigh’s presence. The Blu-ray
transfers look excellent; lone extra is a discussion by Leigh expert and biographer
Kendra Bean.
Animals
(Artsploitation)
What begins as a beguiling dramedy
about a sexually confused teen with a talking teddy bear companion becomes a
totally different animal by the time of its “shocking” high-school shooter
finale. Director Marcel Fores confidently deals with tricky subject matter, and
even if it’s a bumpy ride at times, there’s enough grounding in both emotional and
psychological reality to make it worthwhile. Extras include commentary and
featurettes.
The Half Brother
(MHZ)
(MHZ)
Set in the grimy French port of
Le Havre, Blood is a gritty policier about a group of detectives solving
perplexing murder cases; the actors are super, the writing and directing
realistic, and the investigations arrestingly use the English Channel town’s visual
blight. The absorbing Norwegian mini-series The
Half Brother is involving from the get-go, when the case of a disappeared
young man begins with the raping of his virgin mother, who nearly dies from the
attack. There’s top-notch acting by several generations of Norway’s stars, from
Ghita Norby (who was in Hansun, so
her burning a Hansun book is a sly in-joke) to Mariann Hole and Agnes Kittlesen.
(Virgil)
This trenchant documentary
devastatingly shows how, after Shane’s lover Tom dies in a freak accident, Shane
is shunned by Tom’s family and literally erased from their son’s short life.
Through emotional interviews with Shane, his family and his and Tom’s friends, director
Linda Bloodworth-Thomson maps an unforgettable journey through the sadly
ongoing battle between love and bigotry.
(Icarus)
In Chris Marker and Pierre Llohme’s
cinema verite portrait of Paris in
May, 1962 (after the end of the Algerian War), dozens of Parisians wax
philosophically about their lives and where they are headed as a society. But
its 143 intellectually packed minutes are an endurance test because only a few
of the participants’ arguments and opinions are clearly articulated. Judicious
tightening would make this snapshot even stronger. Both English and French
versions are included—the English one narrated by Simone Signoret—and a bonus
disc includes deleted scenes and related short films.
(Indiepix)
Iranian
expatriate director Shirin Neshat has made an impassioned study of several
women in her home country in 1953, when a coup
d’etat engineered by the Americans and British made the Shah ruler for a
quarter-century until the Muslim Revolution overthrew him and led to the captivity
of American embassy hostages. The strongly drawn quartet of disparate female
characters is well-acted by Shabnam Tolouei, Pegah Ferydoni, Arita Shahrzad and
Orsolya Tóth; Neshat’s ability to deal with sociological and historical issues
is also vividly realized. Extras include an interview with Neshat.
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