Blood Ties
(Lionsgate)
For his draggy remake of a 2008 French
crime drama, director Guillaume Canet fumbles the ball by setting his version—which
pits brothers (detective and career criminal) against each other—in 1970s New
York. Despite authentic performances by Clive Owen and Billy Crudup as the
brothers and Marion Cotillard, Zoe Saldana and Mila Kunis as their women, Canet
(who co-wrote the melodramatic script with James Gray) relies on misused period
songs and an atmosphere that never rings true; consequently, the movie fatally
suffers. The Blu-ray transfer looks great; lone extra is a making-of featurette.
(Eagle Rock)
Despite the fact that his last
really good album was nearly 40 years ago, Elton John has pleased more pop
music fans that anyone else, and his second Las Vegas residency (named The Million Dollar Piano after a
keyboard that doubles as a graphics/animation projector) continues his audience-drawing
prowess. For nearly two hours, John and his crack band tear through 18 songs,
including beloved standards (“Your Song,” “Tiny Dancer”), indelibly crafted smash
hits (“Philadelphia Freedom,” “Bennie and the Jets”) and even rare album cuts (“Better
Off Dead,” “Indian Sunset”). There’s a good hi-def transfer, and the concert’s
DTS audio is stunning. Extras are a making-of featurette and five songs from a concert
in Kiev, Ukraine.
(Lionsgate)
In a straightforward drama turned
into pretentious nonsense, Jake Gyllenhaal plays both a history teacher and an actor
who are either doppelgangers or split personalities of the same cheating
husband. Needlessly making convoluted psychological studies is director Denis
Villeneuve’s raison d’etre—his other
overwrought dramas include Prisoners and
Incendies—and he consolidates that
reputation here, while poor Gyllenhaal is unable to do anything with his
character(s)’ disparate fragments. The Blu-ray looks fine; lone extra is a
making-of featurette.
(UMe)
Shot during a 2012 Las Vegas residency,
this nearly three-hour concert shows that Axl Rose, even without Slash, Duff,
Izzy, etc., can fashion a reasonable facsimile of Guns’n’Roses by playing classics
from Appetite for Destruction
alongside later progressive-rock numbers like “November Rain,” “Estranged,” “Street
of Dreams” and “This I Love.” Axl can still shriek and—usually—hit the high
notes, and his band (which includes guitarists Bumblefoot and DJ Ashba) can
shred with the best of them. Hi-def video and audio are first-rate, although the
3D shoot is merely gimmicky; extras include band member interviews (but not
Axl).
I Vinti/The Vanquished
(Raro)
Michelangelo Antonioni’s stark 1953
drama might pale in comparison to his stylistic masterworks from the 1960s, but
this uncompromising account of casual murders committed by young men in Italy, France
and England is still powerfully disturbing. The gritty B&W photography
loses some luster on Blu-ray thanks to too much cleaning of the digital image,
but the film remains essential viewing for Antonioni aficionados. Extras comprise
the uncut version of the Italian episode, Antonioni’s 1953 short Tentato Suicido and producer and actor
interviews.
(Magnolia)
Why director Lars von Trier is
still taken seriously is a question worth pondering after sitting through his
ponderous and shallow two-part drama that for four excruciating hours never
makes its title heroine in the least dramatically or psychologically credible.
Von Trier’s juvenile tricks—onscreen numbers counting each thrust of her sexual
partners, obvious and unoriginal classical music cues, “shocking” carnal
encounters—are as archaic in the internet era as your racist uncle complaining
about Obama. The hi-def transfer is superb; short featurettes are extras.
Arne Dahl—Complete 1st
Season
(MHz)
The detective novels of Swedish author
Arne Dahl are compellingly dramatized without losing their original narrative
flavor: the stories, including the fascinatingly dark two-part The Blinded Man, are stylishly filmed
and acted with utmost conviction. The first season’s ten episodes are included
on five discs, which translates into nearly 15 hours of gripping if
relentlessly downbeat entertainment.
(PBS)
Architect Stephen Chung engagingly
hosts this behind the scenes look at the creation of several 21st
century public, private, cultural and artistic buildings, along with interviews
with the architects whose visions were realized. Among the “cool spaces” covered
in this two-disc set are the new Dallas Cowboys Stadium, the new Barnes
Institute in Philadelphia, the sensational Seattle Public Library and the Barclays
Center, Brooklyn’s new basketball and soon to be hockey arena.
(Sony)
Although there are echoes of
earlier shows and movies during this tantalizing sci-fi drama about researchers
from the Centers for Disease Control and Prevention dealing with a quickly
mutating, deadly virus (including an unfortunate zombie outbreak), the clever
plotting keeps you on the edge of your seat as the stories play themselves out.
The 3-disc set includes all 13 of the first season’s episodes; extras include commentaries,
deleted scenes and four featurettes.
(Warner
Archive)
James Lapine’s ingeniously
structured tribute to The Greatest Living Broadway Composer uses interviews
from various times of Sondheim’s life to stitch together a seemless portrait
from his early days until now. There are also masterly musical examples of his
work from theater luminaries like Laura Osnes—who needs to star in any Sondheim
musical, pronto—that illuminate overlooked gems like “Opening Doors” from Merrily We Roll Along.
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