The Choice
(Lionsgate)
Author Nicholas
Sparks strikes again, and unlike lightning, he continues to hit the same places
again and again—yet another young and attractive couple’s relationship is put
in perilous danger by something that’s been contrived more tortuously than this
sentence. This, his umpteenth version which takes meeting cute to its extreme,
is made serviceable by leads Benjamin Walker and Teresa Palmer, along with the
charming Maggie Grace as our hero’s sister; still, the formula is so well-worn
that it ultimately becomes easy to resist. The film looks fine on Blu; extras
include a commentary, featurettes and deleted scenes.
Dillinger
(Arrow)
John Milius’s
crude 1973 shoot ‘em up has more gunfire than seems possible: this is one
gangster flick where so many bullets are sprayed that it’s amazing everybody isn’t
dead in the first half-hour. Still, it’s fun in its typically trashy Milius
way—and there are solid performances by Ben Johnson as FBI man Melvin Purvis
and Warren Oates as John Dillinger himself; there’s also colorful support by
Richard Dreyfuss as a particularly lunatic Pretty Boy Floyd and Michelle
Phillips as Dillinger’s gorgeous moll. The restored hi-def transfer is authentically
grainy; extras comprise several interviews and a commentary.
(Eagle Rock)
American
singer-songwriter Melody Gardot’s Gallic surname and fluent French in her songs
and lively onstage patter endear her to the cheering crowd at Paris’s famed
Olympia concert hall for this 2015 show that showcases Gardot’s distinctively sultry
vocals, intimate lyrics and bluesy, jazzy tunes. Her beast of a band—seven players
strong—brilliantly backs Gardot on everything from the opener “Don’t
Misunderstand” to the transcendent improvisations that give the extended closer
“It Gonna Come” its flavor. The image and sound are top-notch.
Mustang
(Cohen Media)
Turkish-French
director Deniz Gamze Ergüven’s beautifully observed, deeply personal drama
about five young sisters whose lives are upended by the adults in their family as
they get older, more mature and more interested in boys and sexuality: a no-no
in their conservative Muslim family living in rural Turkey. Not only does
director-writer Erguven insightfully place her heroines in the intersection of religion
and family—parents still make their children’s choices for marriage—but she
also gets incredibly real, joyously alive portrayals by the splendid young
actresses playing the sisters. The film (one of the best debut features in recent years) looks luminous in hi-def; extras
comprise interviews with the five actresses and Erguven’s short, A Drop of Water.
(MVD)
The history of
Alligator Records, the blues-based record label begun by Bruce Iglauer in Chicago
in 1971, is recounted in director Robert Mugge’s lively and informative 1992
documentary in which Iglauer and associates discuss Alligator’s fascinating
history, along with showing several of the label’s singers doing what they
best. Much of the running time is smartly given over to live performances by
such Alligator staples as Koko Taylor, Lonnie Brooks and Elvin Bishop during a
marathon concert that was part of its 20th anniversary tour. The
film looks decent on Blu; extras comprise 10 additional audio performances from
the tour.
Susan Slept
Here
(Warner Archive)
This mild 1954
comedy is definitely a relic of its era: Dick Powell plays a bachelor
screenwriter in Hollywood who, after he has a 17-year-old girl foisted on him, marries
the girl for convenience—eventually, however, there’s something more to their
relationship. Director Frank Tashlin adds needed color (figuratively and
literally) to this ungainly contrivance, which even includes silly musical
sequences; Powell and Debbie Reynolds have an offbeat chemistry as the couple, while
Anne Francis is typecast as Powell’s glamorous girlfriend. The movie looks terrific
in this new color hi-def transfer.
(Anchor Bay/Weinstein Co)
Although Leo
Tolstoy’s massive historical novel is near-impossible to adapt—aside from two
flawed big-screen versions, there’s also a superb but patchy Prokofiev opera
based on it—this British TV mini-series is an intelligent attempt to give a
sense of the breadth, if not the depth, of the book. The locales, sets and costumes
provide the sumptuous trappings for the characters whose travails are dramatized
throughout this mini-series’ eight hours. The cast is generally competent—Lily
James, James Norton and Stephen Rea are quite good, while Paul Dano and Gillian
Anderson are less so—and the entire enterprise is, ultimately, an absorbing soap
opera. The hi-def transfer is excellent; extras are several short featurettes.
DVD of the Week
Forbidden
Hollywood—Volume 10
(Warner Archive)
For
its tenth—and, it has been announced, final—volume of studio films made before
the Hays Code decided, once and for all, what could and could not be shown on
American movie screens, Warner Archive has collected this strong quintet of crime
dramas and dark character studies. Among the five rough-hewn gems, most notable
are Lionel Barrymore as a district attorney hoping to get away with murder in
1931’s Guilty Hands and Barbara
Stanwyck torn between two lovers in 1933’s Ever
in My Heart.
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