Female Prisoner Scorpion—The Complete Collection
(Arrow)
These four cult films following the travails of Scorpion, who after her
time in prison vows to get back at the powerful man who sent her to prison (Female Prisoner
#701: Scorpion; Female Prisoner Scorpion: Jailhouse 41; Beast Stable; #701’s
Grudge Song), were made in a flash in 1972-73, and if that shows in
the slightness of the story and characters, there’s so much action and gleeful
stylistic flourishes that this set is nothing less than trashy, frenzied
fun—not least with the stunning Meiko Kaji in the title role. It’s too bad,
however, that the new hi-def transfers are problematic, with some of the colors
off, occasionally muting some of the visual excitement. Plentiful extras
include interviews new and old, visual essays, appreciations and a lavish
booklet.
(Starz/Anchor Bay)
The original Girlfriend Experience,
which failed to make a mainstream star of porn veteran Sasha Gray in 2009, was
one of director Steven Soderbergh’s most disposable works, and that same feeling
permeates this inert 13-episode mini-series. Although Riley Keough is far more plausible
as a student who becomes an upscale escort for often-loathsome older men,
creators Lodge Kerrigan and Amy Seimetz never really do much original or interesting
with the material, which promises insight and titillation but provides too
little of both. The hi-def transfer is first-rate; extras comprise three on-set
featurettes.
The Tunnel—Complete 1st Season
(PBS)
This 2013 French-British remake of the original 2011 Danish-Swedish series The Bridge (which is currently shooting
its fourth and last season) is more credible and absorbing than the 2013 American-Mexican
dud, also named The Bridge. Stephen
Dillane and Clemence Poesy are superbly mismatched—then later, equally well-matched—as
British and French detectives who pair up to solve a series of increasingly
bizarre and lurid crimes. The 10 intelligently constructed episodes build to a
creepy climax. The series looks sumptuous on Blu, and extras are interviews and
behind-the-scenes featurettes.
Careful What You Wish For
(Anchor Bay)
In this tepid knockoff of Body Heat,
a sleepwalking Nick Jonas plays a young man who has an affair with the
impossibly gorgeous young wife of the older rich businessman who takes the
vacation home next door to his family. That she is played by the impossibly
gorgeous Isabel Lucas is one of several hard-to-believe twists, with my favorite
(aside from the twist ending) the quickie the couple has behind the local
convenience store just as hubby walks up to the back door to have himself a smoke—but
ends up deciding not to.
(First Run)
In Arthur Harari’s twisty and elegantly-shot thriller, a young man decides
to avenge his father’s death on the rest of his wealthy, diamond-dealing family
by infiltrating the business and plotting the perfect heist. Although Harari
doesn’t bother with a subtle approach in this convolutedly plotted thriller, he
smartly shows the intricacies of the diamond business just enough to prepare us
for the ramifications—personal and moral—when his protagonist’s imaginative
revenge slowly but inexorably takes shape.
(First Run)
In directors-writers Arthur DeLaire and Quentin Reynaud’s meandering road-trip
comedy, an occasionally amusing but most often exasperating dysfunctional
family travels to attend the mother’s estranged father’s funeral. Although there
are nicely understated performances by Isabelle Carre and Stephane de Groodt as
the matriarch and patriarch of a brood of mix-and-match stepchildren, after 80
minutes of forced melodramatic whimsy, the whole thing completely dissolves
from memory.
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