Blu-rays of the Week
Downton Abbey—The Complete Collection
(PBS)
The most watched PBS Masterpiece
offering in history is this six-season series created by Julian Fellowes, who meticulously
recreated the insular worlds of both masters and servants on a British estate,
stretching from pre-World War I to the roaring (but still ominous) ‘20s. What
began as a sort of Upstairs, Downstairs
for a new generation soon became an absorbing soap opera in its own right, with
the likes of Maggie Smith, Elizabeth McGovern and Hugh Bonneville playing the
gentrified family members whose own domestic dramas are played out while their
servants’ own lives undergo scrutiny. This 21-disc set comprises all 52 episodes
from the half-dozen seasons, as well as plenty of bonus features that include
on-set featurettes, interviews and five hours of previously unseen material.
(Opus Arte)
Young British actor Paapa Essiedu was one of the highlights of the recent Shakespeare Live! at Stratford for the 400th
anniversary of his death (shown on PBS), speaking Hamlet’s “To be or not to be”
speech with clarity and power, so it’s heartening that he plays the part with
intelligence and charisma in Simon Godwin’s otherwise unexciting staging at the
Royal Shakespeare Company. The supporting cast is undistinguished except for
Natalie Simpson’s emotive Ophelia, while directorial liberties obscure rather
than illuminate. At least Essiedu shows he’s one of Britain’s great acting
hopes. Hi-def video and audio are good; extras are Godwin’s commentary and behind
the scenes featurette.
(C Major)
One of the best German lieder singers of the past half century, Hermann
Prey was especially compelling performing his beloved Franz Schubert, and this
disc brings together video recordings of him singing the three great Schubert song
cycles: Die schone mullerin, Schwanengasang and Winterreise. He’s in peak vocal form, and his piano accompanists (Leonard Hokanson on
the first two, Helmut Deutsch on Winterreise)
are with him every step of the way. Audio and video (these are recordings from
1984 and ‘86) are adequate; extras are Prey’s intros for all three cycles and a
50-minute documentary about his career.
La Traviata
(C Major)
Recent stagings of two classic 19th century operas are
distinguished by top-notch casts, beginning with Arrigo Boito’s Mefistofele, brought into the musical
stratosphere by peerless bass-baritone Rene Pape as the devil, tenor Joseph
Calleja as Faust and a riveting Kristine Opolais as Margherita. Verdi’s Traviata has at its center Russian
soprano Olga Peretyatko, who makes the courtesan Violetta her own and may be
well on her way to becoming the new Anna Netrebko, now that Netrebko has settled
into a comfortable middle age. Both discs feature first-rate hi-def video and
audio.
(Mondo Macabro)
Spanish softcore auteur Jess Franco made this 1984 pseudo-erotic thriller,
characterized—as always—by his leading lady’s penchant for frequent disrobing,
which, since the actress in question is Lina Romay (who’s easy on the eyes,
whatever her merits as a thespian), it’s a not unpleasant way to spend 94
minutes. Dramatically, Franco’s style is inert and turgid, but he does occasionally
make things interesting if not entirely engrossing. The film looks decent
enough on Blu-ray; extras comprise a Franco documentary and interview with horror-film
buff Stephen Thrower.
Britain’s Bloody Crown
(Athena)
Historian and English monarchy expert Dan Jones has made an engaging four-part
document of royal history, essentially going over the same Wars of the Roses
territory that the recent PBS Masterpiece
series The Hollow Crown did via
Shakespeare. But even though Jones makes such red rivers of royal blood—through
corruption, double-crossing and endless wars—come alive, he’s hamstrung by one
of my own betes noires, re-created
historical events, which even when done well as they are here seem inadequate
to illuminate historical events.
(Acorn)
This adaptation of one of Joseph Conrad’s classic novels (albeit not as
well-known as Heart of Darkness or Lord Jim) is centered by an accomplished
performance by Toby Jones as a British businessman and family man who doubles—to
the behest of no one, not even his wife—as a Russian spy. This sumptuous
three-hour adaptation, originally made for British TV, has several sequences
where it spins its wheels dramatically and narratively, but overall it’s a stimulating,
even at times gripping, piece of work.
Manon Lescaut
(Deutsche Grammophon)
Giacomo Puccini’s tragic romance doesn’t really need another recording at
this date, but when the lead role of that fatal beauty is sung by none other
than Russian superstar Anna Netrebko at the top of her considerable vocal game,
then why not? Marco Armiliato sensitively conducts Puccini’s ravishing score in
this performance from the most recent Salzburg Festival; too bad Netrebko’s
husband, tenor Yusif Eyvazov, is not up to snuff as Des Grieux, Manon’s bewitched
lover.
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