Dog Eat Dog
(RLJ)
(RLJ)
Paul Schrader has always been a humorless filmmaker, and his new flick’s attempts
to be funny are so witless and ham-fisted that every single moment feels
forced, false and amateurish. Nicolas Cage and Willem Dafoe are reduced to
doing little more than striking inept crook poses, so they can’t be blamed for
Schrader’s failure to mine blackly comic gold out of the killings of various
innocent people (hardy har har). The film looks great on Blu-ray; extras comprise
a Schrader commentary, Cage introduction and Cage/Schrader Q&A.
Reiner Werner Fassbinder’s 1975 melodrama about a working-class homosexual and
how his lottery win affects his already lopsided relationship with his new
middle-class lover (whose arrogant friends also take advantage of him) is, as
usual with this prolific but painfully uneven director, a mishmash of
well-observed moments and mediocre filler, not helped by indifferent acting. Criterion’s
hi-def transfer is excellent; extras include interviews both archival
(Fassbinder and composer Peer Raben) and new (actor Harry Baer and an
appreciation from filmmaker Ira Sachs).
Because of Hurricane Katrina, one of New Orleans’ biggest industries—its
wide-ranging and vital music scene—took a massive hit, as so many musicians and
the places they played were displaced by the raging waters. That its music scene
rose anew (even as it temporarily relocated to other towns) is what director Robert Mugge’s entertaining and hopeful documentary is
about, through interviews with and performances by local luminaries as Dr.
John, Cyril Neville, Marcia Ball and Theresa Andersson. There’s a decent hi-def
transfer; extras include featurettes and additional performances.
DVDs of the Week
Command and Control
(PBS)
(PBS)
In this gripping American Experience
documentary, director Robert Kenner adroitly visualizes Eric Schlosser’s
massive book recounting a near-disastrous nuclear accident in Arkansas in 1980,
including interviews with many of the principals and nice use of a mixture of archival
footage and re-enactments. The DVD comprises two versions of the film: the
two-hour version shown on PBS, and a 90-minute edit shown in theaters. Either
way—though more so in its longer version—Command
and Control is an unmissable (and scary) experience.
Steve Cantor’s engaging portrait of Ukrainian dancer Sergei Polunin
introduces us to one of the youngest stars of The Royal Ballet, a celebrity who
now has millions of fans worldwide thanks to YouTube videos showing off his
dexterous technique and astonishing agility. Although a little thin at 80
minutes, it does delve into his difficult childhood (his parents are divorced)
and how his decision to leave Ukraine to dance affected his extended family.
Extras include 15 minutes of deleted scenes.
Spheres—Claremont Trio (AMR)
Performing the chamber music of American composer Robert Paterson—whose
work I was heretofore unfamiliar with—the Claremont Trio displays unflagging
energy and tastefulness. His two trios, 1995’s Sun and its 2015 follow-up, Moon,
are wistful yet muscular works with a surfeit of melodic and harmonic ideas enchantingly
realized by the Claremont’s members (Sun
was recorded with its original pianist Donna Kwong; Moon with its new pianist Andrea Lam). Sisters Emily and Julia
Bruskin play violin and cello, respectively, with exquisite sensitivity, and Julia
teams with Lam and fellow cellist Karen Ouzounian for Paterson’s pinpoint
Elegy.
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