Blu-rays of the Week
Death Laid an Egg
(Cult Epics)
Giulio Questi’s wacky 1968 giallo is a product of its time: nodding toward
Godard’s masterpiece Weekend
(released in ‘67), Questi’s potent critique of a dehumanized industrial society
is masked by a tricked-out tale of murder around a poultry plant owned by a
philandering husband and his wife. In the leads, Jean-Louis Trintignant
(husband), Gina Lollobrigida (wife) and Ewa Aulin (mistress) make a stunning
trio; there are moments of visual overkill, but it’s stylish and enjoyably
loony. There’s a quite impressive hi-def transfer.
Heat and Dust
(Cohen Film
Collection)
This 1983 Merchant-Ivory adaptation of screenwriter Ruth Prawer Jhabvala’s
novel tracks parallel East-West culture clashes, as an Englishwoman, Anne, travels
to India to discover the fate of her great aunt Olivia, who in the 1920s had an
affair with a local ruler (Hindi film star Shashi Kapoor, who died last week). Although
labored in its shuttling back and forth, there are compensations, notably Julie
Christie as Anne and Greta Scacchi as Olivia, both splendid performances of intelligence
and—especially Scacchi—sensuality. The hi-def transfer is excellent; there’s also
a commentary and a second disc of bonus features: new interviews with Scacchi,
Ivory, Jhabvala, composer Richard Robbins, actor Nickolas Grace and producer
Israel Merchant; new Q&A with actor Madhur Jaffrey; and Merchant-Ivory’s hour-long
1975 film Autobiography of a Princess.
Pelléas et Mélisande
(BelAir Classiques)
Claude Debussy’s tragic romance is one of opera’s towering masterpieces,
its three hours alternately bracing and disturbing. This 2016 Malmo (Sweden)
production is nicely staged by director Benjamin Lazar, with Debussy’s
magnificent score being beautifully handled by conductor Maxime Pascal and the Malmo
Opera Orchestra. But the glory is in the main performers: Marc Mauillon’s vivid Pelléas and—best of all—Jenny Daviet’s languid, meltingly
lovely-voiced Mélisande. The hi-def video and audio are topnotch.
The Tale of Tsar Saltan
(Mariinsky)
Russian composer Nikolai Rimsky-Korsakov’s fantastical opera is rarely seen
on European or American stages, so who better than St. Petersburg’s own
Mariinsky Opera to present such a boldly imaginative production? As always, Valery
Gergiev persuasively leads his orchestra in music that they all feel in their
bones, the usual array of Russian singers belts out convincingly, and the sets
and costumes are bright and dazzling. The only caveat is that, since this is on
film instead of hi-def video, the visuals don’t pop as they should.
DVDs of the Week
Karl Marx City
(Film Movement)
Petra Epperlein (with co-director Michael Tucker) returned to the former
East Germany to discover the truth behind her father’s 1999 suicide by hanging:
was he—as he was accused of being—a spy for the Stasi, the formidable East
German security force that terrified thousands of ordinary citizens on a daily
basis during the Cold War? Epperlein has no illusions about what she finds, which
she shares with her devastated mother and twin brothers, while the rest of this
agonizing documentary comprises illuminating interviews with various
archivists, former Stasi members and regular people that shed a necessary light
on how dictatorships can thrive.
Maurizio Cattelan—Be Right Back
(Film Movement)
Maurizio Cattelan is an art world prankster without the social or political
cachet of Banksy, but since he’s courted cognoscenti for decades he’s become
one of the most reliable names in the business, and Maura Axelrod’s diverting documentary
portrait shows him off as a sort-of raconteur par excellence. Whether he’s a real artist is another matter:
despite the experts, that he gets a Guggenheim retrospective that garners critical
raves and lines around the block says more about the state of our current
culture than about his clever but minor works.
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