Blu-rays of the Week
The Durrells in Corfu—Complete 1st Season
(PBS)
In this breezily entertaining Masterpiece
series, a widow, Louisa, and her four unruly children decide to leave
stuffy old England for the Greek island of Corfu: unsurprisingly, drama and
romance ensue as the five of them adjust to a very different way of living.
Despite its soap opera contrivances, Durrells
is quite involving, thanks to glorious Mediterranean locations and persuasive
acting, especially by Keeley Hawes, who invests Louisa with the three-dimensionality
of a character in a great novel. The hi-def transfer is excellent; extras
include making-of featurettes.
Einstein on the Beach
(Opus Arte)
I might be in the minority, but I find this 4-1/2 hour “opera” by Philip
Glass and Robert Wilson to be one of the most enervating and sleep-inducing
pieces of musical theater I’ve ever experienced: but if you’re on the
Glass/Wilson wavelength, this 2014 Paris production will do very nicely—with
the added bonus of pausing it whenever the many musical and dramatic
repetitions rear their heads. The performers (both dancers and singers) are
remarkable in their ability to sing and move in unison, so there is that. The
hi-def video and audio are first-rate.
(PBS)
As the friction between the Indians and their British occupiers grows more
tense by the moment, the second season of this conventional Masterpiece series creeps up and shakes viewers
out of your complacency, as the violence becomes more common both politically
and personally, with often fatal consequences. The splendid acting includes Julia
Walters as a magnificently malevolent matron, and Jemima West, Amber Rose Revah
and Fiona Glascott as women who, despite their second-class status, find that
their own actions make for a kind of historic change. The Blu-ray transfer is
stunning; extras include a 45-minute making-of featurette.
The Initiation
(Arrow)
Daphne Zuniga plays dual roles—a panicky college student with awful nightmares
and her twin sister—in this moderately scary 1984 horror entry about a few
sorority pledges and their boyfriends locked in a store at night with a
murderous mental-hospital escapee around. Director Larry Stewart repeats his
formula killings—bludgeonings with an axe or garden tools—but a game cast
(which includes Vera Miles and vivacious Hunter Tylo, under the name Deborah
Morehart) keeps things percolating for a watchable 95 minutes. The hi-def
transfer is good and grainy; extras include interviews, commentary and extended
scene.
(Eagle Rock)
After three decades of playing schlocky cock-rock, Motley Crue said goodbye
at a recent L.A. concert, pulling out all the visual stops that overpower their
wan hard rock that, shockingly, many of their fans consider the crème de la crème of heavy music. Mainly
it’s the elaborate drum setup for Tommy Lee, which during his solo moves him up,
down, around and upside down (he was already doing it in 1987, when I saw them,
only without cutting-edge technology); singer Vince Neil, guitarist Mick Mars
and bassist Nikki Sixx are adequate, and familiar tunes like “Girls Girls
Girls” and “Doctor Feelgood” keep thousands of fans sated. Hi-def video and
audio are first-rate; extras comprise band interviews.
Private Property
(Cinelicious)
This tense low-budget 1960 thriller pits two psychotic criminals (Corey
Allen and Warren Oates) against a young married woman who obliviously allows
them into her Southern California mansion while her husband’s away. Shot on
location at director Leslie Stevens’ own home, the terrorizing is forced at
times, but Oates and Allen are especially effective villains and actress Kate
Manx (Stevens’ wife) is full of a vivid aliveness that makes this creepy tale
credible—tragically, she killed herself three years later. The film has been
restored and the tangy B&W photography looks crisp in hi-def; lone extra is
a new interview with technical consultant Alexander Singer.
Indian Point
Among the Believers
(First Run)
Ivy Meeropol’s documentary Indian
Point is a sober and even-handed look at supporters and protestors of the Indian
Point nuclear plant—only 35 miles from New York City—in the wake of Japan’s
Fukishima disaster. Though both sides make their points (for the most part) non-hysterically,
all evidence points to an ongoing danger for all of us living nearby. Hemal
Trivedi and Mohammed Ali Nagvi's documentary Among the Believers trenchantly explores the never-ending War on
Terror by showing the frightening indoctrination of children at the Red Mosque,
a Pakistani fundamentalist organization; its matter-of-factness is its most
chilling feature. Both discs’ extras comprise deleted scenes.
Saving Mes Aynak
(Icarus)
In Afghanistan, a priceless ancient place of archeological treasures—some
5,000 or more years old—is in danger of being destroyed by a Chinese company,
who wants to harvest copper from directly underneath it. Director Brent E.
Huffman urgently chronicles the efforts of a local archeologist as he races
against time, the Chinese and—of course—the Taliban to try and save a huge
chunk of Afghan and Buddhist history from being obliterated. Extras are deleted
scenes.
Frank Martin—Ein Totentanz zu Basel im Jahre 1943
(CPO)
Swiss composer Frank Martin wrote this piece for choir, percussion and massive
orchestral forces during World War II for a staged drama featuring Death as a
sympathetic character; since it’s visual as well as musical, this CD provides
only half the work. But thanks to a vivid, persuasive performance by the superb
choristers, pummeling percussionists and first-rate orchestral musicians
conducted by Bastiaan Blomhert, this recording gives of a flavor of the entire
work, an interesting oddity from the most sophisticated of 20th
century composers.
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