Women of a Certain
Age
Written and directed
by Richard Nelson
Performances through December
4, 2016
The Public Theater,
425 Lafayette Street, New York, NY
publictheater.org
Mary Ann Plunkett, Patricia Maxwell, Amy Warrren and Jay O. Sanders in Women of a Certain Age (photo: Joan Marcus) |
Leave it to Richard Nelson to write so elegantly about the most inelegant
era in our country’s recent history. The third play of Nelson’s Gabriel Family
trilogy, Women of a Certain Age, finds the family (82-year-old matriarch
Patricia; her daughter Joyce; her son George and his wife Hannah; and their dead brother
Thomas’ wives, number one Karen and number three—and widow—Mary) gathered at
the long-time Rhinebeck family home this past Election Night, November 8,
which is when I saw it.
For 100 minutes, these six people discuss many things, including their
sense of loss—Thomas’s death a year earlier, the family house going up for
sale, Patricia in an assisted-living center—and their hope for the future—George
and Hannah’s college-age son voting for the first time and the possibility of
the first female president—all while preparing a meal that was the Gabriel
kids’ favorite from an old Betty Crocker cookbook.
In my previous reviews of the Gabriel plays, I may have downplayed the
importance of food in these seminal works: Nelson’s characters sit in the
kitchen in all three plays, preparing and cooking an actual meal, which the
actors do as believably and entertainingly as they embody these rational,
relentlessly normal people. When the Shepherd’s pie comes out of the oven, piping
hot, the actors leave the stage, one by one, as the family prepares to eat in
the dining room and the play ends.
It all seems simple, even simplistic, in summary. But Nelson’s exquisitely
detailed writing—his often funny and pointed dialogue takes mundanity to new
heights of poetic realism—and deft directing are joined by the flawless performances
of Roberta Maxwell (Patricia), Jay O. Sanders (George), Lynn Hawley (Hannah),
Amy Warren (Joyce), Meg Gibson (Karin) and Mary Ann Plunkett (Mary) to make
this intimate but expansive play help in the healing our divided nation
will need on January 20, 2017.
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